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这是接昨天放的家中一部分已经看掉的书 from If Only the Sea Could Speak to Can You Hear, Bird
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By Ouyang Yu
Ouyang Yu
这是家中一部分已经看掉的书 from The Lily Theatre to If Only the Sea Could Speak
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By Ouyang Yu
Ouyang Yu
new terms or expressions: 'anti-style'
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By Ouyang Yu
Ouyang Yu
new terms or expressions: 'anti-style graffiti'
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By Ouyang Yu
Ouyang Yu
2 short stories published in 2025
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By Ouyang Yu
Ouyang Yu
转发:Nicholas Jose: 'Australian Literature Inside and Out'
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By Ouyang Yu
Ouyang Yu
3 poems, self translated from the Chinese
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By Ouyang Yu
Ouyang Yu
Ouyang Yu’s “New Accents”⁚ A Critical Analysis
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By Ouyang Yu
Ouyang Yu
2 pieces of nonfiction published in 2025
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By Ouyang Yu
Ouyang Yu
Chinese poems published in 2025
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By Ouyang Yu
Ouyang Yu
English poems published in 2025
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By Ouyang Yu
Ouyang Yu
我是黄冈人,幸遇黄冈文:《“惟楚有才,鄂东为最”——试解人才地理中的“黄冈现象”》
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By Ouyang Yu
Ouyang Yu
new terms or expressions: 'hate-like'
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By Ouyang Yu
Ouyang Yu
Ouyang Yu compared with Patrick White: piss and shit and flatulence
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By Ouyang Yu
Ouyang Yu
Ouyang Yu and Patrick White both use "low" bodily functions to challenge high-culture pretension and explore the "unlovely" reality of Australian life. While Yu uses these images as a form of post-colonial resistance , White uses them to emphasize human frailty and the groundedness of spiritual experience. Ouyang Yu: Poetry as Excretion Ouyang Yu famously compares poetry to bodily functions—specifically urination and defecation—as a way to strip art of its "sacred" or overly-refined status. A Statement of Resistance: For Yu, poetry is a natural, irrepressible urge that should not be "revised to whiteness" or sterilized by academic standards. The "Ugly Poem": He embraces what critics call "deliberate unloveliness". By linking creativity to bodily fluids, he suggests that literature is as essential, raw, and sometimes offensive as the body itself. Philosophy: He rejects the idea that a writer should be a "precis...
Ouyang Yu quotes: 'If it is poetry,...'
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By Ouyang Yu
Ouyang Yu
First heard: 'Yoru Cafe Jazz Bossa - I'm Not In Love'
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By Ouyang Yu
Ouyang Yu
Ouyang Yu quotes: 'There's nothing else I love...'
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By Ouyang Yu
Ouyang Yu
Ouyang Yu quotes: 'You take life...'
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By Ouyang Yu
Ouyang Yu
new terms or expressions: synthetic realism
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By Ouyang Yu
Ouyang Yu
new terms or expressions: Panglossian neoliberalism
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By Ouyang Yu
Ouyang Yu
Welcome back, Bill Evans: 'B Minor Waltz (Official Audio)'
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By Ouyang Yu
Ouyang Yu
first heard: Boney James - Stop, Look, Listen (To Your Heart) (Official Audio)
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By Ouyang Yu
Ouyang Yu
First heard: Houston Person: 'too late now'
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By Ouyang Yu
Ouyang Yu
所谓返祖,看看徐冰玩的表情包:《50后艺术家徐冰的“符号表情”先锋实验》
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By Ouyang Yu
Ouyang Yu
New listenings: Stan Getz & Charlie Byrd - Samba De Uma Nota So (One Note Samba) (Visualizer)
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By Ouyang Yu
Ouyang Yu
new words or expressions: technopopulism
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Ouyang Yu
new terms or expressions: stuckness
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Ouyang Yu
new terms or expressions: technopathocracy
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Ouyang Yu
new terms or expressions: rot economy
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By Ouyang Yu
Ouyang Yu
New listenings: Stacey Kent - How Insensitive (Lyrics video)
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By Ouyang Yu
Ouyang Yu
new terms or expressions: enshittification
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By Ouyang Yu
Ouyang Yu
New Listenings: John Coltrane - Naima (2020 Remaster) [Official Audio]
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By Ouyang Yu
Ouyang Yu
new terms or expressions: too late capitalism
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By Ouyang Yu
Ouyang Yu
new terms or expressions: AI slop
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By Ouyang Yu
Ouyang Yu
new terms or expressions: brain rot
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By Ouyang Yu
Ouyang Yu
new terms or expressions: ideophobia
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By Ouyang Yu
Ouyang Yu
new terms or expressions: attention collapse
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By Ouyang Yu
Ouyang Yu
new terms or expressions: anti-careerism
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By Ouyang Yu
Ouyang Yu
两首发磨铁:《1937年11月14日》《伤口——春天的伤口》
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By Ouyang Yu
Ouyang Yu
A Claude comment on this article: https://meanjin.com.au/essays/the-case-for-china-or-a-self-obituary/
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By Ouyang Yu
Ouyang Yu
This is a profound and deeply personal essay by Ouyang Yu that explores themes of migration, cultural alienation, and the experience of being a Chinese-Australian writer. It's structured as a fragmented "self-obituary," using the recurring character 死 (death) as a divider between sections. Key Themes and Observations: Structural Innovation : The essay uses a collage-like structure, weaving together memories, dialogues, literary references, and philosophical reflections. The recurring death character suggests both the literal deaths of characters and the metaphorical death the author feels living as a perpetual outsider in Australia. Systematic Exclusion : Ouyang documents what he perceives as structural racism in Australian cultural institutions. His friend Potato Flower predicts Chinese Australians "will write us books but will never be allowed to win the Miles Franklin Award, add something to the arts but will never be allowed to win the Archibald Prize." The ...
Learn English/Chinese with Ouyang Yu: 'caught napping' (对突发事件毫无准备、措手不及)
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By Ouyang Yu
Ouyang Yu
Learn English/Chinese with Ouyang Yu: 'up one's own backsides'(臭屁得要命)
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By Ouyang Yu
Ouyang Yu