《屄》

By Ouyang Yu

 


今天放群砸诗后，Chaos特评如下：

Hahaaaa !是拯救世界的B啊！这个能让真正的诗人露出恬淡的微笑发出猪叫声吧! 你可千万不要摆出道学家哲学家贫血式的刻板印象，这个屄与永远的真理和道德毫无瓜葛。


深吸一下这株有毒的花朵，在它面前，你必须毫无尺度放下较量用无限宽广之心摘下它，把它放进榨汁机里和着你的泪水和笑声连渣带汁的咽下去吧，这是诗人的解毒剂。


群主今天想刻意散播他的"传染病"，它或许可能能医治或拯救你那枚脱离现实已久魔力消除殆尽没经受过多少磨难但已经不再敏感丧失了渴望苦涩乐趣分泌不出毒素的空洞屄吧？!


我的几个自评如下：


自评1：还有很多种牛逼，如水牛逼黄牛逼，等，从前写过，现在就不写了。🙏


自评2：写这首诗的目的之二，就是要难倒世界上的所有翻译，令其无法译成中文之外的任何文字，前提是：翻译而不注解


自评3：真的，我觉得中国最顶级的赞誉是“牛逼”这个词真是不好，以后改成牛A或牛小a比较好，否则总是很难饶过那个“b“字


自评4：其实这还真的不是诲淫，而是语言文化批评诗，需要搞语言文化批评理论的人来深入分析批判中国语言中为何出现这么奇特的牛不逼的词






Comments

Post a Comment

Popular posts from this blog

LOWER DOWNS, RUBBISH AND LOW POETRY by Ouyang Yu

By Ouyang Yu
Beauty is so far from being the dominant principle of modern poetry that many of the most splendid modern works are clearly portrayals of ugliness - Friedrich Schlegel ( On the Study of Greek Poetry , 1797) Contemporary Chinese poetry has unashamedly turned from the sublime and sacred to the vulgar and profane. In April 1999 at the Panfeng Conference in Pinggu County, Beijing, poets split into two camps, the  zhishi fenzi  (intellectual) and the  minjian . 1  The poets in the intellectual camp (Wang Jiaxin, Ouyang Jianghe, Xi Chuan, Zang Di and others) were mostly well-published, anthologised, critically acclaimed, well-travelled and internationally well-connected. As university professor and poetry critic Cheng Guangwei noted, much of their poetry reflects the influences of Western literary masters such as Yeats, Rilke, Lowell, Pound, Baudelaire, Milosz, Pasternak and Brodsky. 2  The  minjian camp (Yu Jian, Yi Sha, Xu Jiang and others) critiqued these influences as ‘European’ or ‘colo
Read more

Self Publishing, a poem by Ouyang Yu

By Ouyang Yu
In a way, everything is self publishing. When you open your mouth to talk, you are self publishing because you don’t want someone else to speak for you even if he or she were the speech writer for Howard or Bush or Mao Zedong. When the rain decides to fall it is self publishing, on a regional scale, sometimes on a statewide scale. You can’t dismiss it as unworthily self publishing because it doesn’t fall on a national scale or international scale. Rivers in the world are self publishing on a daily and nightly basis. Even a little creek is self publishing when it winds its way through an industrial zone clogged with toxicity and waste. Birds never remain quiet because they don’t get paid for calling, their ways of self publishing that never is actually recorded in human history, not even in birds’ history, and when sometimes it does get recorded as in relaxation music they still don’t get paid and they still keep singing, their ways of self publishing. Some great self publish
Read more

Wenche Ommundsen: Not for the Faint-Hearted: Ouyang Yu: The Angry Chinese Poet

By Ouyang Yu
Image
Wenche Ommundsen: Not for the Faint-Hearted: Ouyang Yu: The Angry Chinese Poet [PAGE 595] In the title poem of Ouyang Yu's first collection,  Moon Over Melbourne , a homesick Chinese poet compares the Australian moon with the moon celebrated by countless poets in his homeland. The moon is the same, but at the same time it is different. Like the ancient Chinese moon, it inspires poetry—and madness. But in Australia, that poetry is born of frustration and loss, and of everything this foreign moon fails to be. The ‘bastard’ moon over suburban Melbourne even looks Australian. ‘Mooching’ along in an ‘air-conditioned’, ‘I-wouldn't-care-less’ kind of mood, it mimics the country's indifference towards the newcomer and towards everything else: ‘you hang on you all right you no worries mate’. 1  Australia and China are both colonizers, but they colonize differently. While Australia is content to plant ‘the rag of a flag/among your rocks’, and then retreat into lazy indifference,
Read more