《装置的想法》（昨天在砸诗群献砸）

By Ouyang Yu

Chaos长评：

欧阳老师对于"考古" 学中 "无法使用" 的被悬置的， 停歇的，去功用化的入迷已是群尽皆知的事情了。今天的系列2，他所搜寻到的和呈现给我们的是类似阿甘本的一个名词: "对立机制"。(中版: 裸体，第一篇)


阿甘本，他在评论当代诗歌和哲学之间的对立时说到: 诗歌与哲学之间的对立在今天取替了创造与救赎之间的对立...。


 他说，在创造与救赎这两者之间的关系中，人们一般认为是创造在先，救赎在后，"创造和救赎确立了神圣行为的两面，创造与救赎也彰显出人类行为的两极"...。 在创造/救赎之间，在神圣过度到世俗化这一进程之间，"它们之间的关系表现出了一种复杂，近于精神分裂般的特征"...这些领域逐渐失去了与"之前"精密联系在一起的全部记忆, 因此，"这两种(指的是创造与救赎)被割裂为不同主体的神圣行为迫切需要一个交汇点，迫切需要一道跨越冷漠的门槛，从而找回它们之间失去的统一性"。


今天，欧阳老师这个"迫切" 的"救赎者"与"之前" 西游记的"创造者"通过互换角色来实现了这一点。可是，对于埋头于神速"进步"快速适应"前进"的人们来说，老师您这样探讨"之前"无用的，多余的或试图复活完美人性状态，荣耀人性身体里的某些"器官"时，世人能否把此"器官"与其特定的"生理功能"区分开来去欣赏去解读? 还有，您想让这尊"脊背朝上肚皮朝下"处于永久悬置状态下的老体的"旧器官"获得那一种"新的" 功能?! 您是想展示它原本具有的诱惑力量? 还是，您想激活它，让这具被闲置的，失去功用性的(就像在广告和色情图片中，商业或身体的拟像只具有展示性而毫无实际用处)，坏了的机器器官，操活操醒谁(? )的创作潜能?????


欧阳自评二：补充建议：吊起来的人可以是黑衣主教或黑衣书记或黑衣总经理。

 

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