寻找黄孝阳（2021.10.17星期日）

By Ouyang Yu


近有一南京朋友马铃薯兄弟（右前一），就购书事跟我联系，我想起曾在《澳中文学交流史》中提到过他，便把其中一张图片拍照发给他，也就是上面这张原照的影印件。他说很珍贵，希望能看到原照。

我于是花了很多时间去找。记忆中，我跟黄孝阳第一次见面，是在2011年，他们通知我那个什么奖入围——哦，是柔刚奖——说可以去。于是去了。我把2011年拍的照查了一个遍，没找到。后来上网查证落实，原来被入围是2012年。这一年的也全查，还是没查到。决定放弃。

次日想到了用PC查，因为苹果电脑虽好，但查找功能极差。一个关键词，可以查出成千上万相同或类似的东西，永远都不能pinpoint。反而PC更好。于是去查了，用了“南京”二字，一查就查到了。原来，这张照片拍摄于2013年的5月，应该是图中黄梵（右后二）请我去南京他那个大学讲学的时候，在咖啡馆喝咖啡时，请一个服务员照的。

由于这次见面，我的长篇小说《淘金地》得以出版，黄梵是介绍人，黄孝阳是我的责任编辑。他是江西人。40几岁。不抽烟，但我每次递烟都接也抽。很爱出汗，记得当时头上一颗颗的都是汗珠。我倒不觉得有那么热。

我没想到，座中三人还在，年龄也比他大，但他已经不在了。这真是让人很难受的一件事。







Comments

Post a Comment

Popular posts from this blog

LOWER DOWNS, RUBBISH AND LOW POETRY by Ouyang Yu

By Ouyang Yu
Beauty is so far from being the dominant principle of modern poetry that many of the most splendid modern works are clearly portrayals of ugliness - Friedrich Schlegel ( On the Study of Greek Poetry , 1797) Contemporary Chinese poetry has unashamedly turned from the sublime and sacred to the vulgar and profane. In April 1999 at the Panfeng Conference in Pinggu County, Beijing, poets split into two camps, the  zhishi fenzi  (intellectual) and the  minjian . 1  The poets in the intellectual camp (Wang Jiaxin, Ouyang Jianghe, Xi Chuan, Zang Di and others) were mostly well-published, anthologised, critically acclaimed, well-travelled and internationally well-connected. As university professor and poetry critic Cheng Guangwei noted, much of their poetry reflects the influences of Western literary masters such as Yeats, Rilke, Lowell, Pound, Baudelaire, Milosz, Pasternak and Brodsky. 2  The  minjian camp (Yu Jian, Yi Sha, Xu Jiang and others) critiqued these infl...
Read more

Self Publishing, a poem by Ouyang Yu

By Ouyang Yu
In a way, everything is self publishing. When you open your mouth to talk, you are self publishing because you don’t want someone else to speak for you even if he or she were the speech writer for Howard or Bush or Mao Zedong. When the rain decides to fall it is self publishing, on a regional scale, sometimes on a statewide scale. You can’t dismiss it as unworthily self publishing because it doesn’t fall on a national scale or international scale. Rivers in the world are self publishing on a daily and nightly basis. Even a little creek is self publishing when it winds its way through an industrial zone clogged with toxicity and waste. Birds never remain quiet because they don’t get paid for calling, their ways of self publishing that never is actually recorded in human history, not even in birds’ history, and when sometimes it does get recorded as in relaxation music they still don’t get paid and they still keep singing, their ways of self publishing. Some great self publish...
Read more

Wenche Ommundsen: Not for the Faint-Hearted: Ouyang Yu: The Angry Chinese Poet

By Ouyang Yu
Image
Wenche Ommundsen: Not for the Faint-Hearted: Ouyang Yu: The Angry Chinese Poet [PAGE 595] In the title poem of Ouyang Yu's first collection,  Moon Over Melbourne , a homesick Chinese poet compares the Australian moon with the moon celebrated by countless poets in his homeland. The moon is the same, but at the same time it is different. Like the ancient Chinese moon, it inspires poetry—and madness. But in Australia, that poetry is born of frustration and loss, and of everything this foreign moon fails to be. The ‘bastard’ moon over suburban Melbourne even looks Australian. ‘Mooching’ along in an ‘air-conditioned’, ‘I-wouldn't-care-less’ kind of mood, it mimics the country's indifference towards the newcomer and towards everything else: ‘you hang on you all right you no worries mate’. 1  Australia and China are both colonizers, but they colonize differently. While Australia is content to plant ‘the rag of a flag/among your rocks’, and then retreat into lazy indifference,...
Read more