Kimi关于欧阳昱的抽象摄影作品的评论

By Ouyang Yu

很抱歉，我没有找到关于欧阳昱抽象摄影作品的直接评价。不过，从他的创作理念和部分作品中可以推测出一些特点。

欧阳昱的创作常常带有对生活细节的深刻洞察，他在摄影作品中可能会将一些常被忽视的元素放大，展现出其独特的美感。例如他在《乾货：诗话》中，其摄影作品以落叶为封面，放大了泥土中的细节，这种对平凡事物的重新审视和呈现，可能会在他的抽象摄影作品中也有所体现。
此外，欧阳昱的作品往往具有强烈的情感表达和深刻的思考。他的诗歌和小说常常探讨身份、文化冲突、社会现实等主题，这种对社会和人性的深刻洞察可能会在他的抽象摄影作品中转化为独特的视觉语言，通过色彩、线条和形状的组合来传达复杂的情感和思想。
他的作品还常常带有实验性和创新性。他不满足于传统的创作方式，而是不断探索新的表达形式。在他的抽象摄影作品中，可能会看到他对摄影技术的创新应用，以及对传统摄影观念的挑战。
不过，以上只是基于他的其他作品风格进行的推测，要真正了解他的抽象摄影作品，还需要直接欣赏作品本身。

【欧阳昱的回评：看来Kimi有待提升技术，还应把搜索的镜头探入欧阳昱的双语博客。】

Comments

Post a Comment

Popular posts from this blog

LOWER DOWNS, RUBBISH AND LOW POETRY by Ouyang Yu

By Ouyang Yu
Beauty is so far from being the dominant principle of modern poetry that many of the most splendid modern works are clearly portrayals of ugliness - Friedrich Schlegel ( On the Study of Greek Poetry , 1797) Contemporary Chinese poetry has unashamedly turned from the sublime and sacred to the vulgar and profane. In April 1999 at the Panfeng Conference in Pinggu County, Beijing, poets split into two camps, the  zhishi fenzi  (intellectual) and the  minjian . 1  The poets in the intellectual camp (Wang Jiaxin, Ouyang Jianghe, Xi Chuan, Zang Di and others) were mostly well-published, anthologised, critically acclaimed, well-travelled and internationally well-connected. As university professor and poetry critic Cheng Guangwei noted, much of their poetry reflects the influences of Western literary masters such as Yeats, Rilke, Lowell, Pound, Baudelaire, Milosz, Pasternak and Brodsky. 2  The  minjian camp (Yu Jian, Yi Sha, Xu Jiang and others) critiqued these infl...
Read more

Self Publishing, a poem by Ouyang Yu

By Ouyang Yu
In a way, everything is self publishing. When you open your mouth to talk, you are self publishing because you don’t want someone else to speak for you even if he or she were the speech writer for Howard or Bush or Mao Zedong. When the rain decides to fall it is self publishing, on a regional scale, sometimes on a statewide scale. You can’t dismiss it as unworthily self publishing because it doesn’t fall on a national scale or international scale. Rivers in the world are self publishing on a daily and nightly basis. Even a little creek is self publishing when it winds its way through an industrial zone clogged with toxicity and waste. Birds never remain quiet because they don’t get paid for calling, their ways of self publishing that never is actually recorded in human history, not even in birds’ history, and when sometimes it does get recorded as in relaxation music they still don’t get paid and they still keep singing, their ways of self publishing. Some great self publish...
Read more

Wenche Ommundsen: Not for the Faint-Hearted: Ouyang Yu: The Angry Chinese Poet

By Ouyang Yu
Image
Wenche Ommundsen: Not for the Faint-Hearted: Ouyang Yu: The Angry Chinese Poet [PAGE 595] In the title poem of Ouyang Yu's first collection,  Moon Over Melbourne , a homesick Chinese poet compares the Australian moon with the moon celebrated by countless poets in his homeland. The moon is the same, but at the same time it is different. Like the ancient Chinese moon, it inspires poetry—and madness. But in Australia, that poetry is born of frustration and loss, and of everything this foreign moon fails to be. The ‘bastard’ moon over suburban Melbourne even looks Australian. ‘Mooching’ along in an ‘air-conditioned’, ‘I-wouldn't-care-less’ kind of mood, it mimics the country's indifference towards the newcomer and towards everything else: ‘you hang on you all right you no worries mate’. 1  Australia and China are both colonizers, but they colonize differently. While Australia is content to plant ‘the rag of a flag/among your rocks’, and then retreat into lazy indifference,...
Read more