来自朋友的评论（关于《干货》第三卷）
我写的书，出版后就消失得无踪无迹，再也无人提起。今天突然有人发微信来，说：“老师老师，当我遇到特别有感觉的诗，会很有一种心痛的感觉。” 我一看，原来她提到的是我《干货》（第三卷）里的一段话，现摘录于下：
LOWER DOWNS, RUBBISH AND LOW POETRY by Ouyang Yu
Beauty is so far from being the dominant principle of modern poetry that many of the most splendid modern works are clearly portrayals of ugliness - Friedrich Schlegel ( On the Study of Greek Poetry , 1797) Contemporary Chinese poetry has unashamedly turned from the sublime and sacred to the vulgar and profane. In April 1999 at the Panfeng Conference in Pinggu County, Beijing, poets split into two camps, the zhishi fenzi (intellectual) and the minjian . 1 The poets in the intellectual camp (Wang Jiaxin, Ouyang Jianghe, Xi Chuan, Zang Di and others) were mostly well-published, anthologised, critically acclaimed, well-travelled and internationally well-connected. As university professor and poetry critic Cheng Guangwei noted, much of their poetry reflects the influences of Western literary masters such as Yeats, Rilke, Lowell, Pound, Baudelaire, Milosz, Pasternak and Brodsky. 2 The minjian camp (Yu Jian, Yi Sha, Xu Jiang and others) critiqued these infl...
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