版权声明 / Copyright Notice：本博客全部原创文字、诗歌、图像及其他创作材料版权归作者所有。未经作者书面许可，不得用于学术研究、论文写作、出版、人工智能训练、数据挖掘或其他任何形式的再利用。详情见本博客版权声明。

By Ouyang Yu

 

版权声明

本博客所刊载的全部文字、诗歌、翻译、评论、图像、音频、视频及其他原创材料，其版权及相关知识产权均归作者所有。

未经作者事先书面许可，任何个人、机构或组织不得复制、转载、传播、改编、翻译、汇编、存储、再发布本博客内容，亦不得将其用于学术研究、论文撰写（包括本科、硕士、博士论文）、出版物、数据库建设、人工智能训练、机器学习、数据挖掘或任何其他商业及非商业用途。

任何涉及作者本人、作者作品或本博客内容的研究项目、学术论文、学位论文、出版计划或人工智能项目，均须事先取得作者书面同意。

引用本博客内容时，必须遵守适用版权法律及学术规范，并明确注明出处。未经授权利用本博客内容进行创作、改写、拼接、生成、伪托、虚构作者身份或其他形式的衍生生产，均不被允许。

作者保留一切权利，并保留对任何未经授权使用行为采取法律行动的权利。

本网站内容不得被用于建立、训练、生成、模拟、伪托或构造任何以作者本人或作者作品为基础的人工智能人格、虚拟作者、数字化身（digital persona）或其他衍生创作身份，除非事先获得作者书面许可。

Copyright Notice

All writings, poems, translations, commentaries, photographs, images, audio recordings, videos and other original materials published on this website are protected by copyright and remain the intellectual property of the author.

Without the author's prior written permission, no individual, institution or organisation may reproduce, republish, distribute, translate, adapt, compile, archive or otherwise use any material from this website. This prohibition includes, but is not limited to, use in academic research, dissertations and theses (undergraduate, master's, PhD or otherwise), publications, databases, artificial intelligence systems, machine learning projects, data mining activities, or any other commercial or non-commercial purpose.

Any research project, academic article, thesis, dissertation, publication or AI-related project concerning the author, the author's works, or the contents of this website requires the author's prior written consent.

Any quotation from this website must comply with applicable copyright law and academic conventions and must clearly acknowledge the source. Unauthorised reuse of materials for creative generation, adaptation, recombination, attribution to fictitious authors, or any other derivative production is expressly prohibited.

All rights are reserved. The author reserves the right to pursue legal remedies against any unauthorised use.

Materials on this website may not be used to train, generate, simulate, emulate or construct any artificial-intelligence persona, virtual author, digital avatar or other derivative authorial identity based on the author or the author's works without the author's prior written permission.

Comments

Post a Comment

Popular posts from this blog

002, from Poetry Remarks

By Ouyang Yu
Image
Mel C. Thompson Publishing, San Francisco, 2013, p. 23. [I said 'no page number' because my lower ear mark concealed it, my apologies. Then I thought: What a fantastic idea if there's no page numbers! I have a book that has no Contents although it timidly carries page numbers. See Two Hearts, Two Tongues and Rain-coloured Eyes . Wild Peony, 2002. In future, I'd make a poetry book with no Contents and no page numbers. Why make things so easy for people that they won't even bother reading?] This book is long out of print, so don't start thinking that I'm trying to promote something. I've only got one copy in the world and I'm not selling it.
Read more

LOWER DOWNS, RUBBISH AND LOW POETRY by Ouyang Yu

By Ouyang Yu
Beauty is so far from being the dominant principle of modern poetry that many of the most splendid modern works are clearly portrayals of ugliness - Friedrich Schlegel ( On the Study of Greek Poetry , 1797) Contemporary Chinese poetry has unashamedly turned from the sublime and sacred to the vulgar and profane. In April 1999 at the Panfeng Conference in Pinggu County, Beijing, poets split into two camps, the  zhishi fenzi  (intellectual) and the  minjian . 1  The poets in the intellectual camp (Wang Jiaxin, Ouyang Jianghe, Xi Chuan, Zang Di and others) were mostly well-published, anthologised, critically acclaimed, well-travelled and internationally well-connected. As university professor and poetry critic Cheng Guangwei noted, much of their poetry reflects the influences of Western literary masters such as Yeats, Rilke, Lowell, Pound, Baudelaire, Milosz, Pasternak and Brodsky. 2  The  minjian camp (Yu Jian, Yi Sha, Xu Jiang and others) critiqued these infl...
Read more

Self Publishing, a poem by Ouyang Yu

By Ouyang Yu
In a way, everything is self publishing. When you open your mouth to talk, you are self publishing because you don’t want someone else to speak for you even if he or she were the speech writer for Howard or Bush or Mao Zedong. When the rain decides to fall it is self publishing, on a regional scale, sometimes on a statewide scale. You can’t dismiss it as unworthily self publishing because it doesn’t fall on a national scale or international scale. Rivers in the world are self publishing on a daily and nightly basis. Even a little creek is self publishing when it winds its way through an industrial zone clogged with toxicity and waste. Birds never remain quiet because they don’t get paid for calling, their ways of self publishing that never is actually recorded in human history, not even in birds’ history, and when sometimes it does get recorded as in relaxation music they still don’t get paid and they still keep singing, their ways of self publishing. Some great self publish...
Read more