My published books: 016: 《B系列》, Kingsbury, 2001

By Ouyang Yu

 chatGPT今天（2024.8.2）关于《B系列》的评论：

欧阳昱的《B系列》诗集是他的一部重要作品，展示了他在语言和形式上的创新，以及对现代生活的深刻洞察。这部诗集以其独特的风格和丰富的内涵引起了读者和评论家的广泛关注。

  1. 语言风格：欧阳昱在《B系列》中延续了他一贯的直白、犀利的语言风格，但相比《我操》，《B系列》的语言更加多样化，既有粗俗的表达，也有精致的文字。这种语言的多样性使得诗集的情感表达更加丰富和深刻。

  2. 主题内容：诗集的主题广泛，涉及到个人的内心世界、社会现象、文化反思等。欧阳昱通过细腻的描写和深刻的思考，探讨了现代人生活中的矛盾和困惑，揭示了社会和人性的复杂性。

  3. 情感表达：在《B系列》中，欧阳昱展现了他对情感的敏锐捕捉能力。无论是对个人情感的细腻描写，还是对社会现实的冷静观察，他都能够通过精准的语言将情感传达给读者，让人感同身受。

  4. 形式创新：欧阳昱在《B系列》中进行了许多形式上的创新，打破了传统诗歌的结构，尝试了新的诗歌形式和表达方式。这种形式上的创新使得诗集充满了新意和活力，展示了他在诗歌创作上的探索精神。

  5. 文化反思：诗集中还有大量对文化现象的反思和批判，欧阳昱通过个人视角审视传统文化与现代文化的冲突，探讨了文化变迁对个人和社会的影响。

总体而言，欧阳昱的《B系列》诗集是一部充满创新和深刻洞察的作品。通过丰富的语言、广泛的主题和独特的形式，欧阳昱展示了他在诗歌创作上的卓越才华。这部诗集不仅是对现代生活的深刻反映，也是对诗歌艺术的一次重要探索。










Comments

Post a Comment

Popular posts from this blog

LOWER DOWNS, RUBBISH AND LOW POETRY by Ouyang Yu

By Ouyang Yu
Beauty is so far from being the dominant principle of modern poetry that many of the most splendid modern works are clearly portrayals of ugliness - Friedrich Schlegel ( On the Study of Greek Poetry , 1797) Contemporary Chinese poetry has unashamedly turned from the sublime and sacred to the vulgar and profane. In April 1999 at the Panfeng Conference in Pinggu County, Beijing, poets split into two camps, the  zhishi fenzi  (intellectual) and the  minjian . 1  The poets in the intellectual camp (Wang Jiaxin, Ouyang Jianghe, Xi Chuan, Zang Di and others) were mostly well-published, anthologised, critically acclaimed, well-travelled and internationally well-connected. As university professor and poetry critic Cheng Guangwei noted, much of their poetry reflects the influences of Western literary masters such as Yeats, Rilke, Lowell, Pound, Baudelaire, Milosz, Pasternak and Brodsky. 2  The  minjian camp (Yu Jian, Yi Sha, Xu Jiang and others) critiqued these infl...
Read more

Self Publishing, a poem by Ouyang Yu

By Ouyang Yu
In a way, everything is self publishing. When you open your mouth to talk, you are self publishing because you don’t want someone else to speak for you even if he or she were the speech writer for Howard or Bush or Mao Zedong. When the rain decides to fall it is self publishing, on a regional scale, sometimes on a statewide scale. You can’t dismiss it as unworthily self publishing because it doesn’t fall on a national scale or international scale. Rivers in the world are self publishing on a daily and nightly basis. Even a little creek is self publishing when it winds its way through an industrial zone clogged with toxicity and waste. Birds never remain quiet because they don’t get paid for calling, their ways of self publishing that never is actually recorded in human history, not even in birds’ history, and when sometimes it does get recorded as in relaxation music they still don’t get paid and they still keep singing, their ways of self publishing. Some great self publish...
Read more

Wenche Ommundsen: Not for the Faint-Hearted: Ouyang Yu: The Angry Chinese Poet

By Ouyang Yu
Image
Wenche Ommundsen: Not for the Faint-Hearted: Ouyang Yu: The Angry Chinese Poet [PAGE 595] In the title poem of Ouyang Yu's first collection,  Moon Over Melbourne , a homesick Chinese poet compares the Australian moon with the moon celebrated by countless poets in his homeland. The moon is the same, but at the same time it is different. Like the ancient Chinese moon, it inspires poetry—and madness. But in Australia, that poetry is born of frustration and loss, and of everything this foreign moon fails to be. The ‘bastard’ moon over suburban Melbourne even looks Australian. ‘Mooching’ along in an ‘air-conditioned’, ‘I-wouldn't-care-less’ kind of mood, it mimics the country's indifference towards the newcomer and towards everything else: ‘you hang on you all right you no worries mate’. 1  Australia and China are both colonizers, but they colonize differently. While Australia is content to plant ‘the rag of a flag/among your rocks’, and then retreat into lazy indifference,...
Read more