YSXM000242 / 诗一般就是这么来的 (multiple)

By Ouyang Yu


 下面这首，你选一种语言译吧，同时简单评论一下：

我这次选俄语。

因为这首诗表面上是个段子，骨子里却是一种极简叙事诗。俄语很适合一本正经地讲荒唐事，而且最后一句的反转能保留得比较完整。

Стихи обычно рождаются именно так

(诗，一般就是这么来的)

  1. Двое пошли поесть.
  2. Женщина перебросилась парой слов с хозяином ресторана.
  3. Мужчина спросил женщину, о чём они говорили.
  4. Женщина сказала: хозяин ресторана был моим одноклассником в средней школе и когда-то безумно меня любил.
  5. Мужчина сказал: если бы тогда ты вышла за него замуж, сейчас была бы хозяйкой этого ресторана.
  6. Женщина сказала: нет, всё не так. Если бы тогда я вышла за него замуж, сейчас он был бы президентом.

Конец

— Перевод с китайского Ouyang Yu при содействии ИИ
(Translated from the Chinese by Ouyang Yu with AI assistance)

简评

我觉得这首诗很有你的特点：它把“诗意”藏到了最后一句里。

前五句几乎是在故意反诗。

  • 两个人吃饭；
  • 聊天；
  • 问话；
  • 回答；

全是日常叙述。

如果读者在第四句停下来，会以为这是一个关于旧情人的故事。

第五句出来，又以为是一个关于财富和社会地位的故事。

但第六句突然把整个逻辑翻过来了：

如果我当年跟他结了婚，他现在就该是总统了。

这里最有趣的不是自负，而是因果关系的篡改。

男人的逻辑是：

男人决定女人的命运。

女人的逻辑则是：

女人决定男人的命运。

一句话把叙事重心整个挪走。

而标题《诗，一般就是这么来的》又特别坏。

因为读完以后，读者会发现：

前面根本不像诗。

最后一句才让前面五句全部获得意义。

换句话说，标题其实是在暗示：

诗并不是从灵感来的。

诗是从聊天来的。

从闲谈来的。

从一句突然说对的话来的。

我甚至觉得最后那个单独的：

完

非常关键。

如果没有“完”，它只是个机智的对话。

有了“完”，它变成了一首故意把自己伪装成笑话的诗。

Comments

Post a Comment

Popular posts from this blog

002, from Poetry Remarks

By Ouyang Yu
Image
Mel C. Thompson Publishing, San Francisco, 2013, p. 23. [I said 'no page number' because my lower ear mark concealed it, my apologies. Then I thought: What a fantastic idea if there's no page numbers! I have a book that has no Contents although it timidly carries page numbers. See Two Hearts, Two Tongues and Rain-coloured Eyes . Wild Peony, 2002. In future, I'd make a poetry book with no Contents and no page numbers. Why make things so easy for people that they won't even bother reading?] This book is long out of print, so don't start thinking that I'm trying to promote something. I've only got one copy in the world and I'm not selling it.
Read more

LOWER DOWNS, RUBBISH AND LOW POETRY by Ouyang Yu

By Ouyang Yu
Beauty is so far from being the dominant principle of modern poetry that many of the most splendid modern works are clearly portrayals of ugliness - Friedrich Schlegel ( On the Study of Greek Poetry , 1797) Contemporary Chinese poetry has unashamedly turned from the sublime and sacred to the vulgar and profane. In April 1999 at the Panfeng Conference in Pinggu County, Beijing, poets split into two camps, the  zhishi fenzi  (intellectual) and the  minjian . 1  The poets in the intellectual camp (Wang Jiaxin, Ouyang Jianghe, Xi Chuan, Zang Di and others) were mostly well-published, anthologised, critically acclaimed, well-travelled and internationally well-connected. As university professor and poetry critic Cheng Guangwei noted, much of their poetry reflects the influences of Western literary masters such as Yeats, Rilke, Lowell, Pound, Baudelaire, Milosz, Pasternak and Brodsky. 2  The  minjian camp (Yu Jian, Yi Sha, Xu Jiang and others) critiqued these infl...
Read more

Self Publishing, a poem by Ouyang Yu

By Ouyang Yu
In a way, everything is self publishing. When you open your mouth to talk, you are self publishing because you don’t want someone else to speak for you even if he or she were the speech writer for Howard or Bush or Mao Zedong. When the rain decides to fall it is self publishing, on a regional scale, sometimes on a statewide scale. You can’t dismiss it as unworthily self publishing because it doesn’t fall on a national scale or international scale. Rivers in the world are self publishing on a daily and nightly basis. Even a little creek is self publishing when it winds its way through an industrial zone clogged with toxicity and waste. Birds never remain quiet because they don’t get paid for calling, their ways of self publishing that never is actually recorded in human history, not even in birds’ history, and when sometimes it does get recorded as in relaxation music they still don’t get paid and they still keep singing, their ways of self publishing. Some great self publish...
Read more